Winter reading
Jan. 23rd, 2009 03:08 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I'm getting into The Saturated Self, a consciously postmodernist take on the meaning of "self" in the digital age. It's a subject I'm keenly interested in, and it's very engaging, but...
Right off the bat, the author states that human emotions are socially constructed rather than universal among cultures. Maternal love in particular is asserted to be absent in various times and places in history.
I kinda thought this debate was over, and that the basic repertoire of human emotions was, indeed, believed to be invariant across cultures by the great majority of people who study such things. But what do I know? I'm not sure what to think about this guy.
Right off the bat, the author states that human emotions are socially constructed rather than universal among cultures. Maternal love in particular is asserted to be absent in various times and places in history.
I kinda thought this debate was over, and that the basic repertoire of human emotions was, indeed, believed to be invariant across cultures by the great majority of people who study such things. But what do I know? I'm not sure what to think about this guy.
no subject
Date: 2009-01-23 11:23 pm (UTC)Question: When your cat is irritated because you are teasing it too much, is that socially constructed?
no subject
Date: 2009-01-23 11:41 pm (UTC)But then, since there is no objective knowledge and everything is subject to refutation, why worry? :-(
I just hope that in writing all this, he's pursuing some useful purpose beyond wankery.
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Date: 2009-01-24 12:29 am (UTC)In "The Feeling of What Happens", Antonio Damasio writes (p.53):
"Emotions are part of the bioregulatory devices with which we come equipped to survive. That is why Darwin was able to catalog the emotional expressions of so many species and find consistency in those expressions, and that is why, in different parts of the world and across different cultures, emotions are so easily recognized. Surely enough, there are variable expressions and there are variations in the precise configuration of stimuli that can induce an emotion across cultures and among individuals. But the thing to marvel at, as you fly high above the planet, is the similarity, not the difference. It is that similarity, incidentally, that makes cross-cultural relations possible and that allows for art and literature, music and film, to cross frontiers."
Also (page 57):
"But a word of caution is needed here. I really mean what I say when I talk about ranges of stimuli that constitute inducers for certain classes of emotion. I am allowing for a considerable variation in the type of stimuli that can induce an emotion - both across individuals and across cultures - and I am calling attention to the fact that regardless of the degree of biological presetting of the emotional machinery, development and culture have much to say regarding the final product. In all probability, development and culture superpose the following influences on the preset devices: first, they shape what constitutes an adequate inducer of a given emotion; second, they shape some aspect5s of the expression of emotion; and third, they shape the cognition and behavior which follows the deployment of an emotion."
no subject
Date: 2009-01-24 06:25 am (UTC)